Diana Scarborough

Diana Scarborough

Multimedia Artist

Diana Scarborough is a Cambridge based multi-media artist working at the intersection of art, science and ecology.

PROJECTS

As a multimedia artist with a background in engineering, my practice highlights our relationships with earth, the cosmos and the nanoscale.  I work with experiential palettes of video, sound, installation and performance to establish fresh connections across art-science disciplines. Collaborative exploratory methodologies and art outcomes act as the catalyst ‘to elicit and initiate new thinking processes’ for diverse audiences and disciplines. 

RECENT NEWS

My one-year artist residency with Fruk LabColorifix was completed by an exhibition in March 2026 and my site-specific interactive installation at Sidney Sussex College was officially launched a month earlier. Now in ‘review & create’ mode I am also keeping an eye out for fresh art-science-eco opportunities. Stay tuned… and/or get in touch!

2025 was a busy and successful artist year:- I released two albums, a film inspired by green spaces and a water-themed film-poem with Ruth Padel for the Rivers of Film Festival. Drawing on my creative engineering skills, I also designed sound-tech for an exhibition on refugee voices and adapted my original ‘Cradle of Fire’ film into a 360Deg immersive festival experience.

Album cover, Moontopia by Sounds of Space Project
'Moontopia' another album by Sounds of Space Project. It is inspired by space weather data collected near the moons of Saturn & Jupiter.
Hidden Melodies of the KP index by Sounds of Space Project
'Hidden Melodies of the KP Index' by Sounds of Space Project. Our album is inspired by measurements of geomagnetic activity, an index that looks somewhat similar to a medieval score.
'You Never Asked My Name' exhibition by Jill Eastland. Interactive sound by Diana Scarborough
'You Never Asked My Name' exhibition by Jill Eastland. Interactive sound by Diana Scarborough
Nature and Us, The Khidmat Sisters in Wandlebury Park, July 2025. By Diana Scarborough
'Nature and Us, The Khidmat Sisters in Wandlebury Park' , July 2025. A short film by Diana Scarborough
'Ways of Water', film poem by Diana Scarborough 2025 a micro-commission commissioned by Rivers of Film Festival/ Poetry by Ruth Padel
'Ways of Water', film-poem by Diana Scarborough 2025 commissioned by the Rivers of Film Festival. Poetry by Ruth Padel
'Cradle of Fire' in the igloo, commissioned for the No Bounds Festival,Sheffield. Scarborough's original film was edited to fit a 360 space. Totally immersive
'Cradle of Fire' in the igloo, commissioned for the No Bounds Festival,Sheffield. Scarborough's original film was edited for walls and the floor

"Celebration' Installation for Sidney Sussex College, Cambridge

'Hour glass' chosen by Prof. Mette Eilstrop-Sangiovanni - credit Diana Scarborough
'Hourglass' chosen by Prof. Mette Eilstrop-Sangiovanni - image Diana Scarborough
Celebration- Ring binder cloud- image by Diana Scarborough
'Entangled recycled ring binders' chosen by Dame Sandra Dawson - image Diana Scarborough
Celebration sidney sussex bio-nano flask by Diana Scarborough image
'Glowing silver' chosen by Prof. Ljiljana Fruk - image Diana Scarborough
Celebration sidney sussex conflict bird- image by Diana Scarborough
'Conflict bird' chosen by Prof. Maria Noriega Sánchez - image Diana Scarborough

About the artwork
The site-specific installation ‘Celebration’ created by artist Diana Scarborough was commissioned by Sidney Sussex College as a celebration of female scholarship for the 50th anniversary of the admission of women. Female fellows were invited to be photographed with objects of their choice that they felt best represented their research, themselves, or aspirations for the future. Scarborough’s photographs of hands and objects are in the style of Dutch still life painting; beautiful, evocative and clearly visible for those dining at the high table. Screens wrapped in gilded frames placed on stands that match the wall colour integrate the digital art with the past and present fabric of the hall. Proximity sensors are activated when someone is near, causing a new portrait to appear. Passers-by near the stands thus become the catalyst for change. With thirty different portraits, viewed as a pair, the changing combination of images on left and right screens offers up unexpected visual connections across disciplinary divides.

101 JOBS THAT CHANGED THE WORLD CAMPAIGN

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